The Crown (season 1)
| The Crown | |
|---|---|
| Season 1 | |
 Promotional poster | |
| Starring | |
| Country of origin | |
| No. of episodes | 10 |
| Release | |
| Original network | Netflix |
| Original release | 4 November 2016 |
| Season chronology | |
Premise[edit]
Cast[edit]
Main[edit]
- Claire Foy as Princess Elizabeth and later Queen Elizabeth II[3]
- Matt Smith as Philip Mountbatten, Duke of Edinburgh, Elizabeth's husband[3]
- Vanessa Kirby as Princess Margaret, Elizabeth's younger sister[3]
- Eileen Atkins as Queen Mary, Elizabeth's grandmother and great-granddaughter of King George III[5]
- Jeremy Northam as Anthony Eden, Churchill's Deputy Prime Minister, and Foreign Secretary, who succeeds him as Prime Minister[6]
- Victoria Hamilton as Queen Elizabeth, King George VI's wife and Elizabeth II's mother was known as Queen Elizabeth The Queen Mother during her daughter's reign[3]
- Ben Miles as Group Captain Peter Townsend, George VI's equerry, who hopes to marry Princess Margaret[7]
- Greg Wise as Louis Mountbatten, 1st Earl Mountbatten of Burma, Philip's ambitious uncle and great-grandson of Queen Victoria
- Jared Harris as King George VI, Elizabeth's father, known to his family as Bertie[3]
- John Lithgow as Winston Churchill, the Queen's first Prime Minister[3]
- Alex Jennings as Prince Edward, Duke of Windsor, formerly King Edward VIII, who abdicated in favor of his younger brother Bertie to marry Wallis Simpson; known to his family as David[8]
- Lia Williams as Wallis, Duchess of Windsor, Edward's American wife[8]
Featured[edit]
The following actor is credited in the opening titles of a single episode:
- Stephen Dillane as Graham Sutherland, a noted artist who paints a portrait of the aging Churchill
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Guest[edit]
- Michael Bertenshaw as Piers Legh, Master of the Household
- Julius D'Silva as Baron Nahum, Court Photographer to the British Royal Family
- Alan Williams as Professor Hogg
- Michael Cochrane as Henry Marten, Vice-Provost of Eton and the Queen's private tutor
- Jo Herbert as Mary Charteris, Martin Charteris's wife
- Richard Clifford as Norman Hartnell, Royal Warrant as Dressmaker to the Queen
- Joseph Kloska as Porchey, Horse Racing Manager to the Queen
- Amir Boutrous as Gamal Abdel Nasser, President of Egypt
- Abigail Parmenter as Judy Montagu
Episodes[edit]
| No. overall | No. in season | Title | Directed by | Written by | Original release date | |
|---|---|---|---|---|---|---|
| 1 | 1 | "Wolferton Splash" | Stephen Daldry | Peter Morgan | 4 November 2016 | |
| Prince Philip of Greece and Denmark renounces his titles and citizenship and takes the name Philip Mountbatten before marrying Princess Elizabeth, elder daughter and heir presumptive of King George VI. The newlyweds take up residence in Malta, where Philip rises through the ranks of the Royal Navy while Elizabeth gives birth to their son Charles and their daughter Anne. Years later, the family returns to London to be with George as he undergoes a lung operation. George receives a terminal diagnosis, prompting him to confide in newly re-elected Conservative Prime Minister Winston Churchill and counsel Philip on how to assist Elizabeth when she becomes the new sovereign. | ||||||
| 2 | 2 | "Hyde Park Corner" | Stephen Daldry | Peter Morgan | 4 November 2016 | |
| With George in ill health, Elizabeth and Philip tour the Commonwealth in his place, making their first stop in Nairobi, Kenya. Several Cabinet members express growing concerns over Churchill's ability to govern, prompting Deputy Prime Minister and Foreign Secretary Anthony Eden to ask George if he can persuade Churchill to step down. George declines, stating that Churchill will step down when the right time comes. After an evening spent singing with the youngest daughter Margaret and watching a news report on Elizabeth and Philip's arrival in Kenya, George dies in his sleep. News spreads around the world after his body is discovered the following morning. Elizabeth and Philip return to London, where Elizabeth assumes the role of sovereign. | ||||||
| 3 | 3 | "Windsor" | Philip Martin | Peter Morgan | 4 November 2016 | |
On 10 December 1936, Edward VIII, George's elder brother, and predecessor abdicates the throne to marry twice-divorced American socialite Wallis Simpson. Despite protests from Queen Mary, Edward makes a radio broadcast from Windsor Castle, informing the British people of his reasons for abdicating before declaring his allegiance to George. In the present, amidst preparations for George's funeral, Edward reenters the country for the first time in nearly twenty years, with Queen Mary and Queen Elizabeth The Queen Mother expressing anger at how his actions caused irreparable damage to the monarchy. Elizabeth meets Churchill to discuss Philip's requests to let Charles and Anne keep the Mountbatten surname and let the family continue living at Clarence House rather than move into Buckingham Palace. Churchill is reluctant to agree, and Elizabeth drops both matters after receiving counsel from Edward. She later learns her coronation has been set for the following year, recognizing it as a deliberate move by Churchill to secure his position within the Conservative Party. Philip approaches Peter Townsend, George's former equerry, and convinces him to give flying lessons, unaware that Townsend is having an affair with Margaret. | ||||||
| 4 | 4 | "Act of God" | Julian Jarrold | Peter Morgan | 4 November 2016 | |
| On 5 December 1952, a great smog formed over London, reducing visibility, killing thousands, and hospitalizing thousands more over the course of several days. Elizabeth's advisors pressure her to ask Churchill, who refers to the event as an "act of God", to step down. Reluctant, Elizabeth summons him for a private audience after he has come under fire for refusing to discuss the smog at Cabinet. Beforehand, Churchill has learned that his secretary, Venetia Scott, was killed by a double-decker bus. He later makes an impassioned speech, promising a longer-term approach to prevent future smog. Both the speech and the smog's sudden disappearance prompt Elizabeth to change her mind as Churchill arrives at the Palace. Having colluded with Downing Street staff to use the crisis to attempt to open a vote of no confidence in Churchill, Clement Attlee dejectedly learns of the Queen's change of heart. | ||||||
| 5 | 5 | "Smoke and Mirrors" | Philip Martin | Peter Morgan | 4 November 2016 | |
| On 11 May 1937, Elizabeth helps her father rehearse for his coronation. In the present, while visiting London to spend time with an ailing Queen Mary, Edward clashes with Private Secretary Tommy Lascelles after learning that he and Wallis are not invited to attend the coronation. Elizabeth regrets her decision to place Philip in charge of preparations after he upsets her with a request that he should forgo kneeling to pay homage when she is crowned and irritates the committee by insisting that they televise the event. On 2 June 1953, Elizabeth is crowned at Westminster Abbey while Edward and Wallis mockingly view the coverage from their Paris villa. Eventually, Wallis watches as Edward tearfully plays the bagpipes outside. | ||||||
| 6 | 6 | "Gelignite" | Julian Jarrold | Peter Morgan | 4 November 2016 | |
| When Margaret and Townsend ask to get married, Elizabeth promises her support, while Lascelles and the Queen Mother advise against it. A newspaper publishes an article about the relationship and, after learning that the Royal Marriages Act of 1772 prohibits Margaret from marrying without permission until she turns twenty-five, Elizabeth changes her mind. Elizabeth and Philip take Townsend, who is set to be posted to Brussels, with them on a trip to Northern Ireland, but his sudden popularity causes Lascelles to recommend he be posted sooner than promised. | ||||||
| 7 | 7 | "Scientia Potentia Est" | Benjamin Caron | Peter Morgan | 4 November 2016 | |
| In August 1953, after discovering that the Soviet Union has tested its first thermonuclear weapon, Churchill urges an international summit with American President Eisenhower. At the last minute, Churchill suffers a stroke, which inhibits his ability to govern and prompts Lord Salisbury to keep his ailment secret. Meanwhile, Elizabeth chooses to replace the retiring Lascelles with senior deputy Michael Adeane, after Lascelles strongly disapproves of her preferred choice of Martin Charteris. Realizing that she did not receive a proper education growing up as a princess, she engages a private tutor to improve her studies, which helps her gain the courage to dress down both Churchill and Salisbury after Jock Colville accidentally reveals their deception. | ||||||
| 8 | 8 | "Pride & Joy" | Philip Martin | Peter Morgan | 4 November 2016 | |
| With Elizabeth and Philip touring the Commonwealth, Margaret takes on more engagements while the Queen Mother travels to Scotland to reflect on her new position, and buys a castle. Philip grows frustrated with Elizabeth using him as a prop, resulting in a confrontation that is recorded by photographers. While Elizabeth convinces them to surrender their recordings, she and Philip are unable to resolve their argument. Churchill visits Margaret and refuses to let her continue taking on engagements, saying that the British people do not want someone with passion or personality. | ||||||
| 9 | 9 | "Assassins" | Benjamin Caron | Peter Morgan | 4 November 2016 | |
| Philip begins spending more time away from the Palace while Elizabeth begins spending time with her horse-racing manager and friend Lord "Porchey" Porchester. Tension escalates after Elizabeth orders a direct line to be installed for the Porches. Elizabeth later tells Philip that he is the only man she has ever loved, prompting him to mouth an apology after she makes a speech at Churchill's eightieth birthday dinner. Churchill meets with artist Graham Sutherland after Parliament commissions him to paint a birthday portrait. Upon receiving the portrait, Churchill confronts Sutherland about its accuracy, eventually admitting his pain at what aging has done to him. Churchill resigns and requests that Eden replace him as Prime Minister, while Clementine orders that the portrait is destroyed. | ||||||
| 10 | 10 | "Gloriana" | Philip Martin | Peter Morgan | 4 November 2016 | |
| Elizabeth finds herself torn when the country is divided over Margaret's relationship with Townsend, with the public approving and officials from Parliament and the Church disapproving. Following advice from Edward, Elizabeth forbids a devastated Margaret from marrying Townsend, who then departs for Brussels. The Queen Mother complains about Philip's domineering attitude towards Charles. Lascelles and the Queen Mother suggest that Elizabeth ask Philip to open the Summer Olympics in Melbourne so that he can adjust to life in her shadow. A five-month royal tour is later added to the itinerary, with Elizabeth suggesting he be thankful that everyone is helping him find a public role. Eden replaces Churchill as Prime Minister and becomes trapped in an escalating dispute with Egyptian President Nasser over the rights to the Suez Canal. | ||||||
Release[edit]
The series's first two episodes were released theatrically in the United Kingdom on 1 November 2016.[11] The first season was released on Netflix worldwide in its entirety on 4 November 2016.[12][13] Season one was released on DVD and Blu-ray in the United Kingdom on 16 October 2017 and worldwide on 7 November 2017.[14][15]
Music[edit]
| The Crown: Season One | ||||
|---|---|---|---|---|
 | ||||
| Soundtrack album by Hans Zimmer (title theme) and Rupert Gregson-Williams (original score) | ||||
| Released | 4 November 2016 | |||
| Genre | Soundtrack | |||
| Length | 1:06:19 | |||
| Label | Sony Music | |||
| The Crown music chronology | ||||
| ||||
| Hans Zimmer soundtrack chronology | ||||
| ||||
| Rupert Gregson-Williams soundtrack chronology | ||||
| ||||
All music composed by Rupert Gregson-Williams, except where noted:
| No. | Title | Length |
|---|---|---|
| 1. | "The Crown Main Title" (composed by Hans Zimmer) | 1:24 |
| 2. | "Duck Shoot" | 4:07 |
| 3. | "Sagana" | 4:32 |
| 4. | "Government" | 4:06 |
| 5. | "The Letter" | 7:56 |
| 6. | "Limerick" | 2:49 |
| 7. | "Edward Returns" | 2:02 |
| 8. | "In This Together" | 5:59 |
| 9. | "Margaret and Townsend" | 3:13 |
| 10. | "The Anointing" | 5:13 |
| 11. | "Someone Remarkable" | 4:15 |
| 12. | "Where Does That Leave Me?" | 1:39 |
| 13. | "Margaret Calls Elizabeth" | 4:01 |
| 14. | "Bit of Fluff" | 2:30 |
| 15. | "Dressing Down" | 3:09 |
| 16. | "Mary is Dead" | 1:45 |
| 17. | "Mary and Edward" | 3:31 |
| 18. | "Chasing Margaret" | 1:37 |
| 19. | "Head of the Family" | 2:41 |
| Total length: | 1:06:19 | |
Reception[edit]
The review aggregator website Rotten Tomatoes reported 88% approval for the first season based on 72 reviews, with an average rating of 8.55/10. Its critical consensus reads, "Powerful performances and lavish cinematography make The Crown a top-notch production worthy of its grand subject."[16] On Metacritic, the series holds a score of 81 out of 100, based on 29 critics, indicating "universal acclaim".[17]
The Guardian's TV critic Lucy Mangan praised the series and wrote that "Netflix can rest assured that its £100m gamble has paid off. This first series, about good old British phlegm from first to last, is the service's crowning achievement so far."[18] Writing for The Daily Telegraph, Ben Lawrence said, "The Crown is a PR triumph for the Windsors, a compassionate piece of work that humanizes them in a way that has never been seen before. It is a portrait of an extraordinary family, an intelligent comment on the effects of the constitution on their personal lives, and a fascinating account of postwar Britain all rolled into one."[19] Writing for The Boston Globe, Matthew Gilbert also praised the series saying it "is thoroughly engaging, gorgeously shot, beautifully acted, rich in the historical events of postwar England, and designed with a sharp eye to psychological nuance".[20] Vicki Hyman of The Star-Ledger described it as "sumptuous, stately but never dull".[21] The A.V. Club's Gwen Ihnat said it adds "a cinematic quality to a complex and intricate time for an intimate family. The performers and creators are seemingly up for the task".[22]
The Wall Street Journal critic Dorothy Rabinowitz said, "We're clearly meant to see the duke [of Windsor] as a wastrel with heart. It doesn't quite come off—Mr. Jennings is far too convincing as an empty-hearted scoundrel—but it's a minor flaw in this superbly sustained work."[23] Robert Lloyd writing for the Los Angeles Times said, "As television it's excellent—beautifully mounted, movingly played, and only mildly melodramatic."[24] Hank Stuever of The Washington Post also reviewed the series positively: "Pieces of The Crown is more brilliant on their own than they are as a series, taken in as shorter, intently focused films".[25] Neil Genzlinger of The New York Times said, "This is a thoughtful series that lingers over death rather than using it for shock value; one that finds its storylines in small power struggles rather than gruesome palace coups."[26] The Hollywood Reporter's Daniel Fienberg said the first season "remains gripping across the entirety of the 10 episodes made available to critics, finding both emotional hefts in Elizabeth's youthful ascension and unexpected suspense in matters of courtly protocol and etiquette".[27] Other publications such as USA Today,[28] Indiewire,[29] The Atlantic,[30] CNN[31] and Variety[32] also reviewed the series positively.
Some were more critical of the show. In a review for Time magazine, Daniel D'Addario wrote that it "will be compared to Downton Abbey, but that .. was able to invent ahistorically or at least unexpected notes. Foy struggles mightily, but she's given little...The Crown's Elizabeth is more than unknowable. She's a bore".[33] Vulture's Matt Zoller Seitz concluded, "The Crown never entirely figures out how to make the political and domestic drama genuinely dramatic, much less bestow complexity on characters outside England's innermost circle."[34] Verne Gay of Newsday said, "Sumptuously produced but glacially told, The Crown is the TV equivalent of a long drive through the English countryside. The scenery keeps changing, but remains the same."[35] Slate magazine's Willa Paskin, commented: "It will scratch your period drama itch—and leave you itchy for action."[36]
John Lithgow won the 2017 Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series for his performance in the episode "Assassins."[37]
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