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Babylon (2022 film)

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Babylon
Theatrical release poster
Directed by	Damien Chazelle
Written by	Damien Chazelle
Produced by	Marc Platt Matthew Plouffe Olivia Hamilton
Starring	Brad Pitt Margot Robbie Diego Calva Jean Smart Jovan Adepo Li Jun Li Tobey Maguire
Cinematography	Linus Sandgren
Edited by	Tom Cross
Music by	Justin Hurwitz
Production companies	Paramount Pictures C2 Motion Picture Group Marc Platt Productions Wild Chickens Productions Organism Pictures
Distributed by	Paramount Pictures
Release dates	December 15, 2022 (Los Angeles) December 23, 2022 (United States)
Running time	189 minutes[1]
Country	United States
Language	English
Budget	$78–80 million[2][3]
Box office	$5.3 million[4][5]

Babylon is a 2022 American epic period comedy-drama film written and directed by Damien Chazelle. The film features an ensemble cast that includes Brad Pitt, Margot Robbie, Diego Calva, Jean Smart, Jovan Adepo, and Li Jun Li. Its plot chronicles the rise and fall of multiple characters during Hollywood's transition from silent to sound films in the late 1920s.

Chazelle began developing the film in July 2019, with Lionsgate as the frontrunner to acquire the project. It was subsequently announced that Paramount Pictures had acquired worldwide rights in November 2019. Much of the main cast joined the project between January 2020 and August 2021, and filming took place in Los Angeles from July to October 2021.

Babylon premiered in Los Angeles on December 15, 2022, and was released in the United States on December 23, 2022, by Paramount Pictures. The film polarized critics and audiences, who generally praised its cinematography, score, and performances (particularly Robbie's), but were divided on its screenplay, direction, graphic content, and runtime. It was also a box office bomb, grossing $5.3 million on a budget of $78-80 million. It received five nominations for the 80th Golden Globe Awards, including Best Motion Picture – Musical or Comedy, and nine nominations at the 28th Critics' Choice Awards, including Best Picture.

Contents

• 1Plot
• 2Cast
• 3Production
  • 3.1Development
  • 3.2Filming
  • 3.3Music
• 4Release
  • 4.1Marketing
• 5Reception
  • 5.1Box office
  • 5.2Critical response
  • 5.3Accolades
• 6See also
• 7References
• 8External links

Plot[edit]

In Los Angeles during the Roaring Twenties, Manuel "Manny" Torres, a Mexican immigrant and aspiring filmmaker works odd jobs peripheral to the burgeoning silent film industry. Manny helps transport a loose-bowled elephant to a debauched bacchanal — including a massive orgy, cocaine, a little person on a phallic-shaped pogo stick, and the aforementioned elephant defecating on a man — at Kinoscope Studios executive Don Wallach's mansion, where he crosses paths with Nellie LaRoy, a brash, but ambitious aspiring starlet from New Jersey, and is quickly smitten with her. As they share their dreams, Manny reveals his wish to be part of something bigger, while Nellie declares herself a star. While the elephant walks through the ballroom, distracting partygoers, Manny helps carry away Jane Thornton, a young actress who overdosed on drugs during a perverse urolagniac act with obese actor Orville Pickwick.

Also attending the party are Chinese-American lesbian cabaret performer Lady Fay Zhu, who performs a sexually charged number, and African-American jazz trumpet player Sidney Palmer. The flamboyantly-dancing Nellie is spotted and swiftly recruited to appear in a film for Wallach's studio (replacing Thornton, who overdosed); during filming, she crudely upstages the film's star, Constance Moore. As the party winds down, Manny meets and befriends Jack Conrad, a benevolent but troubled film star whose wife has just divorced him, and offers to drive a drunken Jack home. Out of gratitude, Jack helps Manny secure assistant jobs at Kinoscope, such as finding a new camera to film an outdoor scene with Jack before nightfall, allowing Manny to climb the ranks of the studio system.

Nellie quickly becomes an "it-girl" whose exploits are documented by gossip columnist Elinor St. John, who also writes about other stars, including Jack. As the advent of sound film displaces silents in the late-1920s, Manny is determined to adapt to the technical and logistical changes, eventually securing himself directorial jobs. Nellie struggles to navigate the demands that sound film makes on actors, and begins indulging in drug use and reckless gambling, tarnishing her reputation despite Manny's attempts to help her.

Nellie, shown to have an institutionalized mother, eggs on her drunken father, who is also her inept business manager, to publicly fight a rattlesnake; however, he passes out and she fights the snake, which bites her and latches onto her neck. In the ensuing chaos, Jack is hit by a car and Fay comes to Nellie's aid, decapitating the snake and sucking the venom from her neck. A revived Nellie passionately kisses Lady Fay. While running lines with his new wife Estelle, Jack is devastated to learn his longtime friend and producer, George Munn, committed suicide over a short-lived affair.

By 1932, Jack begins to sense that his popularity has waned. He continues to work in low-budget films for Kinoscope, despite public scrutiny. Meanwhile, Sidney has become an esteemed musician within the studio, eventually securing his own musical film in which he leads an orchestra, but is greatly offended when Manny requests that he use makeup to darken his skin for Southern audiences, as his fellow musicians possess darker skin tones. After completing the film, Sidney cuts ties with Kinoscope entirely. Manny subsequently fires Fay, a title writer for the studio, when she garners Nellie's press attention for their perceived lesbian affair as Hollywood becomes more puritanical. Elinor and Manny attempt to revamp Nellie's image and ingratiate her into Hollywood's high society, but Nellie eventually lashes out against upper-class snobbery at a party, vomiting on the carpet and on a host, furthering her public downfall.

When Jack finds a cover story by Elinor about his declining popularity, he confronts her at her home, where she bluntly explains that his star has faded and that he, like her, will in time be replaced by industry newcomers. Elinor insists he finds comfort in the fact that he is immortalized on celluloid. Meanwhile, Nellie finds her life in danger from eccentric gangster James McKay over her massive gambling debts. Manny initially rejects her pleas for help and lashes out at her for ruining his life. However, reminiscing about their past friendship and his feelings for her, he attempts to help her by securing funds from a longtime on-set drug pusher and aspiring actor, known as "The Count" and visits McKay with him to pay off Nellie's debt, but panics upon learning the money is fake, made by Manny's own prop maker. McKay invites the men to a subterranean gathering space for debauched parties, raving about potential film ideas. When McKay realizes the cash is propping money, he attempts to kill them, but they narrowly escape after Manny kills McKay's henchman and they release a chained alligator to slow down the ensuing mob.

Manny attempts to convince Nellie to flee with him to Mexico. She initially resists, wishing to accept her fate, but she eventually relents and agrees to accompany him. They decide they will marry in Mexico and start a new life. McKay's associate tracks Manny before they can depart, killing The Count and his roommate but sparing Manny's life. Meanwhile, Nellie reneges on her decision to leave with Manny, perhaps believing herself to be too toxic for him, and manically dances away into the night. Simultaneously, Jack encounters Fay at a hotel party, where she tells him of her departure for Europe to work for Pathé. After Fay departs, Jack, despondent over the state of his career, and perhaps over the waning of old Hollywood, calmly goes to his hotel room and shoots himself.

Two decades later, in 1952, Manny returns to California with his wife and young daughter, having fled to New York City, where he established a successful camera retail business. He shows his family the entrance to Kinoscope Studios (actually the Melrose gate of Paramount Pictures). Manny also visits a nearby cinema alone to see Singin' in the Rain. Reminded of his love for Nellie, he is moved to tears by the film's depiction of the industry's transition from silent films to talkies, as it recreates several scenarios he experienced and witnessed himself.

A montage reveals newspaper clippings detailing how Nellie was found dead in a hotel room at age 34, as well as the eventual death of Elinor at age 76. A century-spanning series of vignettes from numerous films, ranging from silent pictures to contemporary 21st-century cinema, follows. Realizing that his efforts made an impact and that he had successfully achieved much of his dream, Manny smiles.

Download link 

https://youtu.be/b-kXwyTWkN8

Cast[edit]

• Brad Pitt as Jack Conrad, a popular silent film star known for his flamboyant parties^[6]
• Margot Robbie as Nellie LaRoy, an aspiring actress and Manny's love interest^[6]
• Diego Calva as Manuel "Manny" Torres, a Mexican-American film assistant who aspires to have a larger role within the film industry
• Jean Smart as Elinor St. John, a sensationalist journalist^[6]
• Jovan Adepo as Sidney Palmer, a jazz trumpet player^[7]
• Li Jun Li as Lady Fay Zhu, a Chinese-American cabaret singer who also writes intertitles for films^[6]
• Tobey Maguire as James McKay, a mob boss^[6]
• Lukas Haas as George Munn, a film producer and Jack's friend^[8]
• Max Minghella as Irving Thalberg, a studio executive^[9]
• Samara Weaving as Constance Moore, a rival actress to Nellie^[10]
• Katherine Waterston as Estelle Conrad, a stage actress and Jack's third wife^[11]
• Olivia Wilde as Ina Conrad, Jack's ex-wife
• Spike Jonze as a German film director
• Flea as Bob Levine, a studio executive^[12]
• Jeff Garlin as Don Wallach, a studio executive
• Olivia Hamilton as Ruth Adler, a director
• P. J. Byrne as Max, Ruth's assistant director
• Rory Scovel as The Count
• Eric Roberts as Robert LaRoy, Nellie's father
• Telvin Griffin as Reggie^[13]
• Chloe Fineman as Marion Davies
• Phoebe Tonkin as Jane Thornton
• Troy Metcalf as Orville Pickwick
• Jennifer Grant as Mildred Yates
• Patrick Fugit as Officer Elwood
• Pat Skipper as William Randolph Hearst
• Ethan Suplee as Wilson
• Kaia Gerber as Starlet
• Cyrus Hobby as Footballer
• Karen Bethzabe as Silvia Torres
• Marc Platt as Producer

Production[edit]

Development[edit]

Writer and director Damien Chazelle (left), lead actors Brad Pitt and Margot Robbie, and actor and executive producer Tobey Maguire.

It was announced in July 2019 that Damien Chazelle had set his next project, a period drama set in the Golden Age of Hollywood. Lionsgate Films was the frontrunner to acquire the project, with Emma Stone and Brad Pitt in the mix to star.^[14] In November, Paramount Pictures acquired worldwide rights to the project, with Stone and Pitt still circling roles.^[15] Pitt confirmed his involvement in January 2020, describing the film as being set when the silent film era transitioned into sound.^[16] He was set to play a character modeled on actor-director John Gilbert.^[17]

By December 2020, Margot Robbie was in early negotiations to replace Stone, who exited the film due to scheduling conflicts, and Li Jun Li was also cast.^[18][19] Robbie was confirmed in March 2021, with Jovan Adepo and Diego Calva also joining.^[7][17][20]

In June, Katherine Waterston, Max Minghella, Flea, Samara Weaving, Rory Scovel, Lukas Haas, Eric Roberts, P.J. Byrne, Damon Gupton, Olivia Wilde, Spike Jonze, Phoebe Tonkin, and Tobey Maguire (who is also an executive producer for the film), joined the cast.^[21][22][23] In July 2021, Jean Smart joined the cast.^[24] In August 2021, Chloe Fineman, Jeff Garlin, Telvin Griffin^[25], and Troy Metcalf joined the cast of the film.^[26]

Filming[edit]

Filming was initially set to take place in California in mid-2020 but was postponed due to the COVID-19 pandemic. Filming began on July 1, 2021, and wrapped on October 21, 2021.^{[27][28][23][29][30]}

Music[edit]

Main article: Babylon (soundtrack)

Justin Hurwitz, a frequent collaborator of Chazelle, composed the film's score. Two tracks from the score, "Call Me Manny" and "Voodoo Mama," were released digitally on November 10, 2022, the latter track being used to underscore the film's first trailer. The soundtrack album was released by Interscope Records on December 9, 2022.^[31]

Release[edit]

Babylon was first screened for critics and industry on November 14, 2022, at the Samuel Goldwyn Theater in Los Angeles and in New York City the following day.^[32] It was released on December 23, 2022.^[33] The film was initially scheduled for a December 25, 2021, limited release and a January 7, 2022, wide release,^[15] but was later delayed by an entire year, with a December 25, 2022, limited release, and a January 6, 2023, wide release, due to the COVID-19 pandemic.^[34] In October, the film was moved two days earlier to the current date and set for a solely wide release instead.^[35]

Marketing[edit]

The first red-banded trailer for Babylon premiered on September 12, 2022, at the 2022 Toronto International Film Festival during a Q&A event with Chazelle and TIFF CEO Cameron Bailey.^[36] It was released to the public the following day, alongside character posters of the main cast.^[37][38] Noting its uncensored nudity, profanity, and drug use, several publications compared the trailer's atmosphere to that of films such as The Wolf of Wall Street (2013)^[39][40] and The Great Gatsby (2013), which star Robbie and Maguire, respectively.^[41][42] A featurette about the making of the film was released on November 21, 2022.^[43] The second and final trailer for the film and its theatrical release poster was released on November 28, 2022.^[44]

Reception[edit]

Box office[edit]

In the United States and Canada, Babylon was released alongside Whitney Houston: I Wanna Dance With Somebody, and was initially projected to gross $12–15 million from 3,342 theaters over its four-day opening weekend.^[45][46] The film made $1.5 million on its first day (including Thursday-night previews) and went on to debut to just $3.5 million in its opening weekend (and a total of $5.3 million over the four days), finishing fourth at the box office. Deadline cited the general public's declining interest in prestige films, the threat of a tripledemic surge in COVID-19 and flu cases, and the nationwide impact of Winter Storm Elliott as reasons for lower-than-expected theater attendance.^[3] The site also confirmed that with the film's performance, it will not reach the break-even point of $250 million worldwide, making it a box-office bomb.^[47]

Critical response[edit]

On the review aggregator website Rotten Tomatoes, Babylon holds a rating of 55% based on 230 reviews, with an average rating of 6.3/10. The site's critics' consensus reads: "Babylon's overwhelming muchness is exhausting, but much like the industry it honors, its well-acted, well-crafted glitz and glamour can often be an effective distraction."^[48] On Metacritic, the film has a weighted average score of 59 out of 100, based on 49 critics, indicating "mixed or average reviews".^[49] Audiences polled by CinemaScore gave the film an average grade of "C+" on an A+ to F scale, while PostTrak reported 74% of audience members gave the film a positive score, with 47% saying they would definitely recommend it.^[3]

In his review for the San Francisco Chronicle, Mick LaSalle praised Chazelle's ambition and direction, writing that "Babylon is what movie love really looks like."^[50] The Hollywood Reporter's David Rooney described it as a "syncopated concentration of hedonistic revelry", praising the cast performances, score, cinematography, costume, and production design, but criticizing the screenplay and direction—ultimately concluding "it’s hard to imagine the overstuffed yet insubstantial Babylon finding its way into many screen-classic montages".^[51] Conversely, Peter Hammond of Deadline wrote that "it is guaranteed to be a movie that will stay in your head", commending the direction, production design, and cast performances.^[52]

In his review for The Guardian, Peter Bradshaw assigned the film three stars out of five, applauding the performances of Robbie and Pitt for elevating "a story in no hurry to engage with the true-life nastiness of its era".^[53] Writing for Vanity Fair, Richard Lawson concurred with Bradshaw's sentiment, stating: "These are little islands in a sea of mannered chaos, but it begins to feel, as Babylon stretches out across three hours and eight minutes, that Chazelle has no clear idea where all of this is going."^[54] In a scathing review for Time, Stephanie Zacharek highlighted Jun Li's performance, but criticized Chazelle's screenplay and direction, summarizing: "Babylon is a manic sprawl that only pretends to celebrate cinema. It’s really about prurience, dumb sensation, self-congratulation and willful ignorance of history."^[55]

Describing it as "a nauseous, high-calorie sugar rush of a movie that not only wants to have its cake and eat it too, but also to puke it up, smear it around, and cram it in the viewer’s face" in his review for The Ringer, Adam Nayman saw the film as a "deliberately designed career-killer" for Chazelle and commended his direction and ambition alongside the cast performances (particularly Robbie's).^[56] Writing less enthusiastically about the film in Variety, Peter Debruge stated that "Babylon presents itself as the apotheosis of all that has come before, the ne plus ultra of the medium's own potential, and indeed, it's an experience that won't be easily topped, in this or any year. But that doesn't make it great or even particularly coherent".^[57] Richard Brody of The New Yorker praised Chazelle's storytelling and characters, but criticized other aspects of his screenplay, ultimately concluding: "Artistically, what Babylon adds to the classic Hollywood that it celebrates is sex and nudity, drugs and violence, a more diverse cast, and a batch of kitchen-sink chaos that replaces the whys and wherefores of coherent thought with the exhortation to buy a ticket, cast one’s eyes up to the screen, and worship in the dark."^[58]

Accolades[edit]

Award	Date of Ceremony	Category	Recipient(s)	Result	Ref.
Chicago Film Critics Association	December 14, 2022	Best Cinematography	Linus Sandgren	Nominated	[59]
		Best Best Editing	Tom Cross	Nominated
		Best Original Score	Justin Hurwitz	Won
		Best Costume Design	Mary Zophres	Nominated
		Best Art Direction/Production Design	Babylon	Nominated
St. Louis Gateway Film Critics Association	December 18, 2022	Best Score	Justin Hurwitz	Nominated	[60]
Dallas–Fort Worth Film Critics Association	December 19, 2022	Best Picture	Babylon	9th place	[61]
Florida Film Critics Circle	December 22, 2022	Best Score	Justin Hurwitz	Won	[62]
		Best Art Direction / Production Design	Babylon	Won
		Best Ensemble		Runner-up
Golden Globe Awards	January 10, 2023	Best Motion Picture – Musical or Comedy		Pending	[63]
		Best Actor in a Motion Picture – Musical or Comedy	Diego Calva	Pending
		Best Actress in a Motion Picture – Musical or Comedy	Margot Robbie	Pending
		Best Supporting Actor – Motion Picture	Brad Pitt	Pending
		Best Original Score	Justin Hurwitz	Pending
Critics' Choice Movie Awards	January 15, 2023	Best Picture	Babylon	Pending	[64]
		Best Director	Damien Chazelle	Pending
		Best Actress	Margot Robbie	Pending
		Best Cinematography	Linus Sandgren	Pending
		Best Editing	Tom Cross	Pending
		Best Costume Design	Mary Zophres	Pending
		Best Production Design	Florencia Martin and Anthony Carlino	Pending
		Best Score	Justin Hurwitz	Pending
		Best Hair and Makeup	Babylon	Pending
Satellite Awards	February 11, 2023	Best Actor in a Motion Picture – Comedy or Musical	Diego Calva	Pending	[65]
		Best Actress in a Motion Picture – Comedy or Musical	Margot Robbie	Pending
		Best Actress in a Supporting Role	Jean Smart	Pending
		Best Art Direction and Production Design	Florencia Martin & Anthony Carlino	Pending
		Best Costume Design	Mary Zophres	Pending
		Best Original Score	Justin Hurwitz	Pending
		Best Sound (Editing and Mixing)	Steve Morrow, Ai-Ling Lee, Mildred Iatrou Morgan & Andy Nelson	Pending
		Best Visual Effects	Jay Cooper, Elia Popov, Kevin Martel, Ebrahim Jahromi	Pending
Hollywood Critics Association Creative Arts Awards	February 17, 2023	Best Costume Design	Mary Zophres	Pending	[66]
		Best Production Design	Florencia Martin and Anthony Carlino	Pending
		Best Score	Justin Hurwitz	Pending
Hollywood Critics Association Awards	February 24, 2023	Best Cast Ensemble	Babylon	Pending	[67]
AACTA International Awards	February 24, 2023	Best Actress	Margot Robbie	Pending	[68]
		Best Supporting Actor	Brad Pitt	Pending
		Best Supporting Actress	Jean Smart	Pending

See also[edit]

• Singin' in the Rain: A 1952 musical film that also depicts stars experiencing the transition from silent to sound films (or "talkies"), albeit in a lighthearted tone.
• The Artist: A 2011 French black-and-white, partially silent film, also depicting the transition to "talkies".
• Hollywood Babylon: A 1965 Kenneth Anger book about the dark side of early Hollywood, including the false premise that Clara Bow bedded the entire University of Southern California football team, somewhat as Nellie LaRoy brings that team to a party, and the Roscoe "Fatty" Arbuckle–Virginia Rappe death scandal, resembling Babylon's Orville Pickwick–Jane Thornton storyline.

References[edit]

1. ^ "Babylon (18)". Damien Chazelle. BBFC. Retrieved December 13, 2022.
2. ^ Rubin, Rebecca (October 18, 2022). "Damien Chazelle's 'Babylon,' Starring Brad Pitt and Margot Robbie, Opens Nationwide on Christmas". Variety. Archived from the original on November 8, 2022. Retrieved November 8, 2022.
3. ^ Jump up to:^a b c D'Alessandro, Anthony (December 25, 2022). "Studios & Exhibition Hope For Christmas Miracle At Box Office After Being Buried By Winter Weather; 'Avatar 2' Still Sees $82M 4-Day, But Could Go Higher – Sunday Update". Deadline Hollywood. Retrieved December 25, 2022.
4. ^ "Babylon – Financial Information". The Numbers. Nash Information Services, LLC. Retrieved December 27, 2022.
5. ^ "Babylon". Box Office Mojo. IMDb. Retrieved December 27, 2022.
6. ^ Jump up to:^{a b c d e} Ford, Rebecca (September 7, 2022). "First Look: Brad Pitt and Margot Robbie Promise to Light Up Babylon". Vanity Fair. Archived from the original on September 7, 2022. Retrieved September 7, 2022.
7. ^ Jump up to:^a b Kroll, Justin (March 3, 2021). "'Fences' Star Jovan Adepo Joins Ensemble Of Damien Chazelle's 'Babylon' At Paramount". Deadline Hollywood. Retrieved June 3, 2022.
8. ^ Squires, Bethy (June 2, 2021). "Damien Chazelle's Babylon Adds Max Minghella, Flea, and Samara Weaving to Cast". Vulture. Archived from the original on June 4, 2022. Retrieved June 3, 2022.
9. ^ Rubin, Rebecca (April 28, 2022). "Damien Chazelle's Star-Studded Hollywood Drama 'Babylon' Drops Footage at CinemaCon". Variety. Archived from the original on April 28, 2022. Retrieved April 28, 2022.
10. ^ Weintraub, Steve (July 20, 2021). "Samara Weaving on 'Snake Eyes', Damien Chazelle's 'Babylon,' and Why She Loves Her Stunt Double". Collider. Retrieved June 3, 2022.
11. ^ D'Alessandro, Anthony (June 2, 2021). "Katherine Waterston Joins Damien Chazelle's 1920s Hollywood Pic 'Babylon'". Deadline Hollywood. Retrieved June 3, 2022.
12. ^ D'Alessandro, Anthony (June 2, 2021). "Max Minghella, Flea, Samara Weaving & More Round Out Cast For Damien Chazelle's 'Babylon'". Deadline Hollywood. Retrieved June 3, 2022.
13. ^ Richard, Nate (September 14, 2022). "'Babylon': Release Date, Cast, Trailer, and Everything We Know So Far". Collider. Retrieved December 20, 2022.
14. ^ Fleming, Mike Jr. (July 15, 2019). "Brad Pitt Also Circling Damien Chazelle's Period Hollywood 'Babylon' With Emma Stone". Deadline Hollywood. Archived from the original on July 5, 2021. Retrieved July 15, 2019.
15. ^ Jump up to:^a b Fleming, Mike Jr. (November 11, 2019). "Paramount Lands WW Rights On Damien Chazelle's 'Babylon' With Emma Stone, Brad Pitt Circling Period Hollywood Drama". Deadline Hollywood. Archived from the original on May 24, 2021. Retrieved November 12, 2019.
16. ^ Sharf, Zach (November 10, 2019). "Brad Pitt Relives the 'Fight Club' World Premiere and Being Stoned As the Film Bombed". IndieWire. Archived from the original on June 11, 2021. Retrieved February 2, 2020.
17. ^ Jump up to:^a b Galuppo, Mia (December 2, 2020). "Margot Robbie in Talks to Replace Emma Stone in Damien Chazelle's "Babylon". The Hollywood Reporter. Archived from the original on August 6, 2021. Retrieved August 6, 2021.
18. ^ Fleming, Mike Jr. (December 2, 2020). "Emma Stone Exits Damien Chazelle's 'Babylon'; Margot Robbie In Early Talks To Reunite With Brad Pitt In Period Hollywood Drama". Archived from the original on March 29, 2021. Retrieved December 2, 2020.
19. ^ Sneider, Jeff (December 2, 2020). "Damien Chazelle Casts Li Jun Li as Anna May Wong in 'Babylon'". Collider. Archived from the original on December 19, 2020. Retrieved December 2, 2020.
20. ^ Kit, Borys (March 16, 2021). "Rising Mexican Actor Nabs "Critical" Role Opposite Margot Robbie, Brad Pitt in Damien Chazelle's 'Babylon'". The Hollywood Reporter. Archived from the original on June 29, 2021. Retrieved July 10, 2021.
21. ^ D'Alessandro, Anthony (June 2, 2021). "Katherine Waterston Joins Damien Chazelle's 1920s Hollywood Pic 'Babylon'". Deadline Hollywood. Archived from the original on June 20, 2021. Retrieved June 2, 2021.
22. ^ D'Alessandro, Anthony (June 2, 2021). "Max Minghella, Flea, Samara Weaving & More Round Out Cast For Damien Chazelle's 'Babylon'". Deadline Hollywood. Archived from the original on June 25, 2021. Retrieved June 2, 2021.
23. ^ Jump up to:^a b Kit, Borys (June 24, 2021). "Olivia Wilde, Spike Jonze, Phoebe Tonkin, Tobey Maguire Join Damien Chazelle's 'Babylon' (Exclusive)". The Hollywood Reporter. Archived from the original on July 10, 2021. Retrieved June 24, 2021.
24. ^ Kit, Borys (July 12, 2021). "Jean Smart Joins Brad Pitt, Margot Robbie in Damien Chazelle's 'Babylon' (Exclusive)". The Hollywood Reporter. Archived from the original on July 12, 2021. Retrieved July 12, 2021.
25. ^ "The Shooting of Babylon, the New Film by Damien Chazelle, Is Over". techy. October 24, 2021. Retrieved August 24, 2022.
26. ^ D'Alessandro, Anthony (August 2, 2021). "Paramount Pictures' 'Babylon' Rounds Out Cast With Chloe Fineman, Jeff Garlin & Troy Metcalf". Deadline Hollywood. Archived from the original on August 2, 2021. Retrieved August 2, 2021.
27. ^ Sandberg, Bryn (November 12, 2019). "Damien Chazelle's 'Babylon' Among 13 Films Set to Shoot in California in 2020". The Hollywood Reporter. Archived from the original on December 28, 2019. Retrieved December 28, 2019.
28. ^ Mendoza, Bryan [@joeyprimo] (October 21, 2021). "And that's a wrap on Damien Chazelle's "Babylon", easily one of the toughest projects I've worked on. Cheers to everyone involved, without a doubt one of the absolute best crews in all of Hollywood. #Babylon #soundspeeds #setlife #iatselocal695 t.co/yKwBLaCBRK" (Tweet). Archived from the original on April 4, 2022. Retrieved April 24, 2022 – via Twitter.
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